My performances mutated into video works that I referred to as “moving paintings.” I wanted to orchestrate a synchronicity between image and sound. Whenever possible, I used low tech solutions to create effects. In Compulsion, the only light source is an off‑screen police light.

  • visuals: Sara Morley
  • sound: Monkeyhead
  • 3 min, 1992

Pin It on Pinterest

Share This